Makoto Fujimura is a leading contemporary artist whose process driven, refractive “slow art” has been described by David Brooks of New York Times as “a small rebellion against the quickening of time”. In the mid 90’s, artist and critic Robert Kushner wrote about Fujimura’s art in Art in America this way: “The idea of forging a new kind of art, about hope, healing, redemption, refuge, while maintaining visual sophistication and intellectual integrity is a growing movement, one which finds Makoto Fujimura’s work at the vanguard.”
Makoto Fujimura graduated with a Bachelor of Arts degree from Bucknell University, then studied in a traditional Japanese painting doctorate program for several years at Tokyo University of the Arts with several notable artists such as Takashi Murakami and Hiroshi Senju. His bicultural arts education led his style towards a fusion between fine art and abstract expressionism, together with the traditional Japanese art of Nihonga and Kacho-ga (bird-and-flower painting tradition). Fujimura’s art has been featured widely in galleries and museums around the world, and is collected by notable collections including The Museum of Contemporary Art in Tokyo, The Huntington Library, and the Tikotin Museum in Israel. His art is represented by Artrue International in Asia and has been exhibited at various venues including ARC Conference, Pola Museum of Art, C3 North Bund Art Museum in Shanghai, Dillon Gallery, Waterfall Mansion, Morpeth Contemporary, Sato Museum in Tokyo, Tokyo University of Fine Arts Museum, Bentley Gallery in Phoenix, Gallery Exit and Oxford House at Taikoo Place in Hong Kong, Vienna’s Belvedere Museum, Shusaku Endo Museum in Nagasaki and Jundt Museum at Gonzaga University. He is one of the first artists to paint live on stage at New York City’s legendary Carnegie Hall as part of an ongoing collaboration with composer and percussionist, Susie Ibarra. Their collaborative album "Walking on Water" is released by Innova Records.
As well as being a leading contemporary painter, Fujimura is also an arts advocate, writer, and speaker who is recognized worldwide as a cultural influencer. A Presidential appointee to the National Council on the Arts from 2003-2009, Fujimura served as an international advocate for the arts, speaking with decision makers and advising governmental policies on the arts. His books Refractions (NavPress, now with the 15th year Commemorative Edition) and Culture Care (IVPress) reflect many of his theses on arts advocacy written during that time. His books have won numerous awards including the Aldersgate Prize for Silence and Beauty (IVPress). In 2014, the American Academy of Religion named Fujimura as its 2014 “Religion and the Arts” award recipient. This award is presented annually to professional artists who have made significant contributions to the relationship of art and religion, both for the academy and a broader public. Previous recipients of the award include Meredith Monk, Holland Cotter, Gary Snyder, Betye & Alison Saar and Bill Viola. Fujimura's highly anticipated book Art+Faith: A Theology of Making (Yale University Press, with a foreword by N.T. Wright, 2021) has been described by poet Christian Wiman as "a real tonic for our atomized time" and is a best seller. His second book with Yale University Press is slated for late 2025 release, and is also co-writing a book on Beauty+Justice with his wife Haejin with Bravo Press for 2025-2026 release.
Fujimura founded the International Arts Movement in 1992 (now IAMCultureCare) which oversees the Fujimura Institute. In 2011 the Fujimura Institute launched QU4RTETS, a collaboration between Fujimura, painter Bruce Herman, Duke theologian/pianist Jeremy Begbie, and Yale University composer Christopher Theofanidis, based on T.S. Eliot’s Four Quartets. The exhibition has travelled to Baylor, Duke, and Yale Universities, Cambridge University, Hiroshima City University and other institutions around the globe. He has served to establish Artist Advocacy Program in collaboration with IAMCultureCare for Embers International, to bring beauty into the darkest realms of slums.
Bucknell University honored Fujimura with the Outstanding Alumni Award in 2012. Fujimura serves on the board of Bucknell University from 2005.
Fujimura is a recipient of four Doctor of Arts Honorary Degrees: from Belhaven University in 2011, Biola University in 2012, Cairn University in 2014 and Roanoke College in 2015. His commencement addresses has received notable attention, being selected by NPR as one of the 200 “Best Commencement Addresses Ever” and CNN as one of the top 16 "The greatest commencement speeches of all time". His 2019 Commencement Address at Judson University entitled “Kintsugi Generation” laid out his cultural vision for the next generation.
Fujimura was a vision director of the Brehm Center at Fuller Theological Seminary. He established the Fujimura/Brehm Studio in Pasedena from 2012-2017 and created the Fujimura Fellows program which continues under the Fujimura Institute. Notable mentees of Fujimura includes Joyce Yu-Jean Lee, Julia Hendrickson, September Penn, Joey Tomassoni, Dea Jenkins, Yuki Yao, Andrew Roseberry, Jeremy Hunt, and Cindy Cortez. He works now full time at his "Fuji Farm" studio north of Princeton, and established with his wife Haejin Shim Fujimura to establish Estuary Gallery in Fort Lee, New Jersey.
Fujimura is the recipient of the 2023 Kuyper Prize for Excellence in Reformed Theology and Public Life.
Fujimura also serves as an Artist Advocate for Embers International, a charity co-founded by his wife, Haejin Shim Fujimura, a lawyer and an entrepreneur. They are currently co-writing a book on the topic of "Beauty+Justice".
Reviews and Press
- MAKOTO FUJIMURA: AN IMMANENT ABSTRACTION
By Los Angeles Critic Peter Frank - NYT David Brooks on Makoto Fujimura, Culture Care and Kintsugi
March 2019 | New York Times | By David Brooks
- NYT Peter Wehner on Why Is Jesus Still Wounded After His Resurrection? April 2019 | New York Times | By Peter Wehner
- The Brooklyn Rail review of Golden Sea by Margaret Graham June 2013| The Brooklyn Rail | Margaret Graham